McMullen 2–3 Map

El mapa McMullen 2–3 pertenece a la familia que suele escribirse como \(f_\lambda(z)=z^n+\lambda/z^d\). FractalPark llama \(c\) al parámetro y elige \(n=2\), \(d=3\). Al principio se parece a un mapa cuadrático con un término extra. Luego \(z^3\) aparece en el denominador y cambia las reglas: el origen es un polo, no un punto ordinario.

Una sola fórmula tiene ahora dos territorios. Lejos, \(z^2\) domina y empuja los valores grandes cada vez más lejos. Cerca de cero, \(c/z^3\) toma el control y manda los puntos hacia el infinito a través del polo. Entre ellos hay una frontera móvil donde ningún término gana de forma rotunda.

Esa frontera puede cerrarse en anillos, romperse en celdas redondeadas o unirse en una red conexa. Depende de \(c\) y de las órbitas de los puntos críticos. No hay una sola silueta McMullen.

The family takes its name from Curtis T. McMullen. In Section 7 of his 1988 paper *Automorphisms of Rational Maps*, McMullen constructed rational maps whose Julia sets break into a Cantor set of Jordan curves—infinitely many disjoint loops arranged with Cantor-set structure. Later authors adopted “McMullen maps” for the family \(z^n+\lambda/z^d\) associated with this construction. McMullen is now Cabot Professor of Mathematics at Harvard, where his personal academic homepage and publication list remain available.

The 2–3 choice is the smallest pair of exponents satisfying the characteristic inequality

$$ \frac{1}{n}+\frac{1}{d}<1, $$

because \(1/2+1/3=5/6\). It also gives the lowest possible degree, \(n+d=5\), in this part of the theory. The inequality alone does not guarantee that every parameter produces circles: the relevant critical orbits must also enter the appropriate escape region.

Work after McMullen mapped out that dependence in much greater detail. Robert Devaney, Daniel Look, and David Uminsky proved an “escape trichotomy” in 2005: when the free critical orbit escapes, the Julia set can be a Cantor set, a Cantor set of circles, or a Sierpiński curve, depending on how it reaches infinity.

One large pale opening anchors the image. An uneven ring of rounded cells circles it; farther out, smaller cells make a fine lace. What looks like a smooth blue band at first resolves into a crowded rim.

The outer edge is gently faceted rather than round, and no two cells quite match. That belongs to this parameter, frame, and colouring—not every McMullen map. The pale palette favours relief and nested boundaries over an escape-speed gradient.